Carnegie Mellon University - Andrew Carnegie Online Archives

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  • Original Format = image/jp2; 2 p. ; 27 cm.
  • Subject = Beatty, John W. (John Wesley), 1851-1924--Correspondence

About This Collection

This collection contains primary resources about Carnegie's bequests along with supporting explanatory text, that teachers will be able to use as part of their curriculum.
Displaying 14 items
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(John W. Beatty to Andrew Carnegie, April 21, 1908)
(John W. Beatty to Andrew Carnegie, April 21, 1908)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Millet, Frank D., Carnegie Institute. Dept. of Fine Arts, Jones, John Paul, 1747-1792, Busts, United States. Dept. of the Navy, American Academy in Rome, Homer, Winslow, 1836-1910, Painters--United States, Art, Modern--Exhibitions, Art
A typescript letter (signed) from John W. Beatty to Andrew Carnegie. Beatty places the blame for the controversy over the bust of John Paul Jones on Frank D. Millet. In a handwritten postscript, Beatty mentions that the annual exhibition will include twenty-one works by Winslow Homer.
(John W. Beatty to Andrew Carnegie, April 3, 1913)
(John W. Beatty to Andrew Carnegie, April 3, 1913)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Prinet, Ren-Franois-Xavier, 1861-1946, Caro-Delvaille, Henry, 1876-1928, Painters--France, Painters--United States, Art museums--Pennsylvania--Pittsburgh
A signed typescript letter from John Beatty to Andrew Carnegie informing him that members of the jury of award, including French painters Ren Prinet and Henry Caro-Devaille, have arrived in Pittsburgh for the upcoming Carnegie Institute annual international art exhibition and requesting that Carnegie send a telegram for Beatty to read to the jury thanking them for their service at a banquet to be held in their honor on April 4th.
(John W. Beatty to Andrew Carnegie, December 16, 1911)
(John W. Beatty to Andrew Carnegie, December 16, 1911)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Walton, Edward Arthur, 1860-1922--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Walton, Edward Arthur, 1860-1922, Painters--Scotland, Portraits, Art commissions, University of St. Andrews, Carnegie International, Skibo (Scotland), Lavery, John, 1856-1941
A typescript letter from John W. Beatty to Andrew Carnegie concerning a photograph of a portrait of Andrew Carnegie painted by Edward A. Walton. Beatty writes that he has delayed answering Carnegie's letter of November 24, 1911 because he received a letter from Edward A. Walton informing him that he mailed a photograph of Carnegie's portrait (presumably the portrait Walton painted of Carnegie commissioned by St. Andrews University) and he intended to send it to the coming international exhibition (presumably the Carnegie International). The photograph was not received by the Carnegie Institute and Beatty asks Carnegie if he received it. Beatty writes that they would be ""delighted to receive Walton's portrait"" and remarks that they already have one of his ""important paintings"" in their ""permanent collection"". Mr. Walton expressed to Beatty his delight at visiting Carnegie at Skibo. Beatty concludes by writing that the exhibition next spring should be a ""fine"" one and the painter, John Lavery, from Ireland, will furnish the ""special honor group"".
(John W. Beatty to Andrew Carnegie, December 20, 1910)
(John W. Beatty to Andrew Carnegie, December 20, 1910)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Schenley, Mary Croghan--Portraits, Lauder, George, Lauder, Maggie, Phipps, Lawrence Cowle, 1862-1958, Thomas, Grosvenor, 1856-1923, Bezzi, Bartolomeo, 1851-1923, Art
A typescript letter from John W. Beatty to Andrew Carnegie, on Carnegie Institute letterhead. Beatty reports having seen the Lauders' portrait of Mary Schenley for the first time and offers his impressions, then goes on to mention other pieces of art recently donated to the Carnegie Institute: Lawrence Grovenor's The mill and Bartolomeo Bezzi's Venetian Canal (both presented by Pittsburgh native Lawrence C. Phipps).
(John W. Beatty to Andrew Carnegie, December 9, 1903)
(John W. Beatty to Andrew Carnegie, December 9, 1903)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Bronze sculpture, Ayer, Edward Everett, 1841-1927
Typescript letter (carbon copy). John Beatty sends Andrew Carnegie a bill for a collection of bronze reproductions from the ""Naples Museum"" (unidentified), contracted for on his behalf by Edward E. Ayer two years earlier, with instructions for payment. He asks that the original contract be returned for the office files. Enclosures not included.
(John W. Beatty to Andrew Carnegie, January 20, 1910)
(John W. Beatty to Andrew Carnegie, January 20, 1910)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Barye, Antoine-Louis, 1796-1875, Bronze sculpture, French, Animals in art, Lawrence, Cyrus J.--Art collections, Carnegie Museum. Dept. of Fine Arts
Typescript letter. Beatty informs Carnegie that he has received favorable expert opinions on the Cyrus collection of Barye bronze, which also includes eight fine watercolors. The estimate of the experts is that the collection would see for $38,000-$50,000. He asks if Carnegie is willing to bid on the collection for Carnegie Institute, and encloses a portion of the sales catalog (not included). A penciled annotation by Carnegie says: ""No, don't care much for these bronzes.""
(John W. Beatty to Andrew Carnegie, January 22, 1910)
(John W. Beatty to Andrew Carnegie, January 22, 1910)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, McTaggart, William, 1835-1910, Walls, William, 1860-1942
Typescript letter. Beatty, like Carnegie, admires Scottish painter William McTaggart, and tried to visit him on his last trip to Scotland. He reminds Carnegie that the William Walls painting , mentioned in Carnegie's letter of Jan. 20, was in fact exhibited at the Carnegie Institute in 1896.
(John W. Beatty to Andrew Carnegie, June 30, 1909)
(John W. Beatty to Andrew Carnegie, June 30, 1909)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Art exhibition audiences--Pennsylvania--Pittsburgh, Art museums--Pennsylvania--Pittsburgh
A signed typescript letter from John Beatty to Andrew Carnegie reporting on facts and figures related to the most recently completed annual Carnegie Institute International Exhibition of art including attendance estimates and the total value of paintings purchased.
(John W. Beatty to Andrew Carnegie, March 24, 1909)
(John W. Beatty to Andrew Carnegie, March 24, 1909)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, East, Alfred, Sir, 1849-1913, Lotos Club (New York, N.Y.), Painters--England, Breitner, George Hendrik, 1857-1923, Painters--Netherlands, Art museums--Pennsylvania--Pittsburgh
A signed typescript letter from John Beatty to Andrew Carnegie informing him about the travel plans of Alfred East, President of the Royal Society of British Artists, who is coming to the U.S. to serve as a member of the international jury of award for the upcoming annual Carnegie Institute art exhibition. Holland requests that Carnegie obtain a Lotus (aka Lotos) Club card for East and, if possible, spend some time with him. Beatty also notes that the other foreign member of the jury this year will be Dutch painter G.H. Breitner.
(John W. Beatty to Andrew Carnegie, May 14, 1912)
(John W. Beatty to Andrew Carnegie, May 14, 1912)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute, Art
A typescript letter with a handwritten postscript from John W. Beatty to Andrew Carnegie praising the annual art exhibition at the Carnegie Institute and the many individuals involved in the enterprise. On letterhead of the Carnegie Institute.
(John W. Beatty to Andrew Carnegie, November 11, 1903)
(John W. Beatty to Andrew Carnegie, November 11, 1903)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions
Typescript letter (carbon copy). John Beatty reports that the annual art exhibition at Carnegie Institute is successful and well attended. He is sending a catalog.
(John W. Beatty to Andrew Carnegie, November 6, 1911)
(John W. Beatty to Andrew Carnegie, November 6, 1911)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Art, American--Pennsylvania--Pittsburgh--20th century--Exhibitions, Philanthropists--United States, Associated Artists of Pittsburgh, Carnegie, Andrew, 1835-1919--Medals, Medals--Pennsylvania--Pittsburgh, Shaw, George E., Carnegie Institute, Carnegie International, Art--Competitions, Art--Awards
A typescript letter from John W. Beatty to Andrew Carnegie concerning art awards to be given to artists at the Associated Artists exhibition in Pittsburgh, Pa. This exhibition showcases local artists work and after conferring with George Shaw, Chairman of the Fine Arts Committee, Beatty suggests that an award for money instead of medals would be more appropriate. He suggests that prizes of $300, $200 and $100 could be given each year to Pittsburgh painters under the age of thirty-five and the prizes could be selected by jury/representatives of the Associated Artists of Pittsburgh. To call the awards ""Carnegie Prizes"" would be confusing to the public and contributors of the Carnegie Institute's international exhibition. Beatty concludes the letter by stating that it is too late to offer prizes for the current year but hopes to talk to Carnegie in person about it soon.
(John W. Beatty to Andrew Carnegie, September 21, 1901)
(John W. Beatty to Andrew Carnegie, September 21, 1901)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie International, Art, Modern--20th century--Exhibitions
A typescript letter from John W. Beatty to Andrew Carnegie concerning an unknown artist who painted a work entitled ""Mother and Daughter"", that hangs ""over the mantle in the hall"". This artist plans a visit, presumably to the upcoming Carnegie International of 1901. Mr. Beatty states that thirty percent more paintings have been entered compared to a year ago. On Carnegie Institute, Pittsburgh, Pa. letterhead.
(Samuel H. Church to John W. Beatty, May 19, 1911)
(Samuel H. Church to John W. Beatty, May 19, 1911)
Church, Samuel Harden--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Zorn, Anders, 1860-1920, Painters--Sweden, Art commissions, Portraits, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Carnegie, Louise, Whitfield, Estelle, Franks, Thetta Quay, Bertram, James, 1872-1934
A typescript letter from Samuel H. Church to John W. Beatty in regards to a portrait of Andrew Carnegie that was painted by Anders Zorn. In the letter Church refers to a telegram he sent Beatty from the train he was on May 19, 1911 in which he stated ""that the Zorn portrait of Mr. Carnegie is a total failure"". Church writes that Mr. Carnegie, Mrs. (Louise) Carnegie, Miss (Estelle) Whitfield and Mrs. (Thetta Quay) Franks all dislike the portrait. Church states that Carnegie thinks that the portrait looks like a ""beer-swilling, lounging German"" and is a ""libelous canvas"". The portrait has been placed facing inwards on a shelf in James Bertram's office. Carnegie was told by Zorn that someone would ""call for it"" but no one has done so yet. Church believes that if the portrait is that bad he thinks that ""we should reject it"" and not pay the $7,000 fee for the portrait. In his above mentioned telegram he asked Beatty to take one or two experts to look at the painting. Church writes that he has written to Carnegie to inform him that Beatty will call on him to look at the portrait. Signed Secretary. Includes a P.S. with a note that Church has asked Mr. Bruce to sign letter for him and another P.S. that he also just received Beatty's telegram presumably of May 19, 1911. He asks Beatty to send him a wire on Monday ""so that I will know what is in the air"".