Carnegie Mellon University - Andrew Carnegie Online Archives

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  • Original Format = Correspondence
  • Subject = Portraits

About This Collection

This collection contains primary resources about Carnegie's bequests along with supporting explanatory text, that teachers will be able to use as part of their curriculum.
Displaying 19 items
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(Anders Zorn to Samuel Church, April 25, 1911)
(Anders Zorn to Samuel Church, April 25, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Zorn, Anders, 1860-1920--Correspondence
Western Union telegram presumably from Anders Zorn to presumably Samuel Church regarding a portrait to be painted of Carnegie by Zorn. Zorn agrees to a three quarter length portrait and to expect the sitting (with Carnegie) Monday morning in New York. ""Wired A.C., 4/25"", written in ink at bottom of telegram.
(Anders Zorn to Samuel Church, May 15, 1911)
(Anders Zorn to Samuel Church, May 15, 1911)
Church, Samuel Harden--Correspondence, Painters--Sweden, Art commissions, Portraits, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Mora (Sweden), Beatty, John W. (John Wesley), 1851-1924, Pittsburgh (Pa.), Zorn, Anders, 1860-1920--Correspondence
A handwritten letter from Anders Zorn to Samuel H. Church regarding the portrait Zorn painted of Andrew Carnegie. He explains that Carnegie liked the portrait and he hopes that Church likes it too. He writes that the portrait looks best in ""subdued light"". Zorn asks that communication to him be sent to Mora, Sweden. He asks Church to give his regards to Mr. John Beatty and ""the other friends in Pittsburgh"".
(Anders Zorn to Samuel H. Church, August 18, 1911)
(Anders Zorn to Samuel H. Church, August 18, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Zorn, Anders, 1860-1920--Correspondence
A handwritten letter from Anders Zorn to Samuel H. Church explaining that Mr. Church's opinion of his portrait of Andrew Carnegie is the same opinion that he receives about all of his portraits. Church had written Zorn, presumably in a previous letter dated, July 12, 1911, that he feels the portrait appears unfinished and asks Zorn what can be done about this matter. Zorn's response is that he ""cannot see what could be done as I never touch a previously signed and dated portrait"". He writes that if a second portrait is commissioned he cannot guarantee a better result.
(Anders Zorn to S.H. Church, December 17, 1911)
(Anders Zorn to S.H. Church, December 17, 1911)
Church, Samuel Harden--Correspondence, Painters--Sweden, Art commissions, Portraits, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Mora (Sweden), Zorn, Anders, 1860-1920--Correspondence
A handwritten letter from Anders Zorn to Samuel H. Church regarding the portrait Zorn painted of Andrew Carnegie. He explains that the portrait he painted of Andrew Carnegie, ordered by Church on April 21, 1911, has not been paid and he expects a check of $7,000 ""as soon as possible"". ""Mora, Sweden"" at top of letter.
(Anders Zorn to S.H. Church, January 23, 1912)
(Anders Zorn to S.H. Church, January 23, 1912)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Carnegie Institute, Painters--Sweden, Art commissions, Portraits, Carnegie Institute, Zorn, Anders, 1860-1920--Correspondence
A handwritten letter from Anders Zorn to Samuel Harden Church acknowledging the receipt of payment for his portrait of Andrew Carnegie commissioned by Carnegie Institute.
(Andrew Carnegie to Samuel Church, May 19, 1911)
(Andrew Carnegie to Samuel Church, May 19, 1911)
Church, Samuel Harden--Correspondence, Zorn, Anders, 1860-1920, Painters--Sweden, Art commissions, Portraits, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Carnegie, Louise, Whitfield, Estelle, Franks, Thetta Quay, Bertram, James, 1872-1934, Butler, Howard Russell, 1856-1934, Painters--United States, Margaret Morrison Carnegie College (Pittsburgh, Pa.), Carnegie Institute. Technical Schools, New York (N.Y.), Carnegie, Andrew, 1835-1919--Correspondence
A handwritten letter from Andrew Carnegie to Samuel H. Church regarding the portrait Anders Zorn painted of Andrew Carnegie. He explains that he had four sitting with Anders Zorn and that Mrs. (Louise) Carnegie, Miss (Estelle) Whitfield and Mrs. (Thetta Quay) Franks do not care for the portrait Zorn painted of him. Carnegie writes that the portrait is sitting facing inwards on a shelf in Mr. James Bertram's office. He writes that Mr. Zorn said that ""some one was to call for it"", but no one has come yet for the portrait. Carnegie writes that the before mentioned ""ladies vote"" for the portrait painted by Howard Russell Butler that hangs ""in our gallery here"". Mr. Carnegie then writes that Mrs. Carnegie bought from Mr. Butler a ""full life size"" painting he did of Carnegie in ""Saint Andrews robes"" that is to be given to the ""Margaret Morrison Ladies School"" or the ""Tech School"" and is ""said to be much finer"". Carnegie concludes the letter by extending an invitation to visit him when ""any of you"" are in New York.
(Elizabeth Corbett to Col. S.H. Church, September 12, 1911)
(Elizabeth Corbett to Col. S.H. Church, September 12, 1911)
Beatty, John W. (John Wesley), 1851-1924, Church, Samuel Harden--Correspondence, Zorn, Anders, 1860-1920--Correspondence, Bertram, James, 1872-1934--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Corbett, Elizabeth--Correspondence
A typescript letter from Elizabeth Corbett to Samuel H. Church stating that she has been instructed by Mr. John W. Beatty to return the enclosed letters to him. Presumably these letters are the letters mentioned by Beatty in a letter he wrote to Church, dated Sept. 8, 1911, about a portrait that Anders Zorn painted of Andrew Carnegie. The letters were originally written to Samuel H. Church by: Anders Zorn, presumably dated August 18, 1911 and James Bertram, presumably dated June 30, 1911. On Carnegie Institute Pittsburgh, Pa., John W. Beatty, Director of Fine Arts stationary.
(James Bertram to R.E. Scully, June 29, 1911)
(James Bertram to R.E. Scully, June 29, 1911)
Scully, Robert E.--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, W. S. Budworth and Son, Carnegie, Andrew, 1835-1919--Homes and haunts--New York (State)--New York, Bertram, James, 1872-1934--Correspondence
A typescript letter from James Bertram to R.E. Scully (Mr. Carnegie's stenographer?) concerning a portrait of Andrew Carnegie painted by Anders Zorn. He states he has enclosed a letter about the ""Zorn picture"" and he asks Scully to arrange with Budworth and Son to call for the painting, which is still at 2 East 91st Street (Carnegie's New York residence). He also asks Scully to make arrangements with the caretaker to hand over the painting to Budworth and Son. On Skibo Castle, Dornoch, Sutherland letterhead.
(James Bertram to Samuel H. Church, June 30, 1911)
(James Bertram to Samuel H. Church, June 30, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Carnegie, Louise, Church, Bertha Jean, Bertram, James, 1872-1934--Correspondence
A handwritten letter from James Bertram to Samuel Harden Church concerning a portrait of Andrew Carnegie painted by Anders Zorn. Bertram explains that Mrs. Carnegie is disappointed with the painting and a ""lady caller"" made an unflattering remark about how Carnegie looks in the portrait. Mr. Bertram asks Mr. Church if his wife would like a portrait of Church that ""represented to the world in his home town as the bibulous personage which the painter has put on that canvas?"" The letter then includes ""kind regards"" to him and Mrs. Bertha Jean Church. A P.S. is included with the note: ""Enclosed order for your use.""
(John W. Beatty to Col. S.H. Church, May 22, 1911)
(John W. Beatty to Col. S.H. Church, May 22, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Western Union telegram from John W. Beatty to Samuel H. Church presumably concerning an interview with Mr. Andrew Carnegie about a portrait Anders Zorn painted of Carnegie. In the telegram Beatty informs Church that the interview was ""satisfactory"" and he is writing to Beatty with more details.
(John W. Beatty to Samuel H. Church, June 2, 1911)
(John W. Beatty to Samuel H. Church, June 2, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A handwritten letter from John W. Beatty to Samuel Harden Church concerning Beatty's visit to New York to examine a portrait of Andrew Carnegie painted by Anders Zorn. Mr. Beatty still considers the portrait ""a broadly painted and forceful picture, manifestly done in haste but lacking in the completeness of detail"". Mr. Carnegie told Beatty he had done four sitting for Zorn and that the portrait was finished. He also said that Zorn sailed the morning after the last sitting. Beatty believes that the portrait is better than the portrait they now have of Carnegie. The letter ends with Beatty stating the difficulty in ""securing a painting of him"" if he has to give long sittings. On Richard Lane stationary.
(John W. Beatty to Samuel H. Church, May 22, 1911)
(John W. Beatty to Samuel H. Church, May 22, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Garber, J. A., Ranger, Henry Ward, 1858-1916, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A handwritten letter from John W. Beatty to Col. Samuel H. Church concerning a portrait Anders Zorn painted of Andrew Carnegie. Beatty thinks the portrait ""is by far and away the best painting I have seen of Mr. Carnegie"". He does write that ""there may be some shortcomings"". Beatty writes if Church wants to make arrangements to send for the canvas he should ask ""my Mr. Garber to arrange the details. Beatty states that the picture should be insured and Beatty should ask Mr. Garber to take care of this. Beatty states that he is staying with H.W. Ranger (presumably Henry Ward Ranger) in Noauk, Connecticut. He asks Church to not let anyone photograph or publish the picture. Beatty asks Church to keep the painting boxed for now to ""protect for Copyright"". On Parker House, Boston stationary.
(John W. Beatty to Samuel H. Church, May 29, 1911)
(John W. Beatty to Samuel H. Church, May 29, 1911)
Church, Samuel Harden--Correspondence, W. S. Budworth and Son, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Cleveland, Grover, 1837-1908, Taft, William H. (William Howard), 1857-1930, Ranger, Henry Ward, 1858-1916, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A handwritten letter from John W. Beatty to Samuel Harden Church in reference to a letter from Church that he received the day before. In the letter Beatty writes that he has contacted their New York agents, Budworth and Son, to wait until Beatty arrives before sending for and shipping a portrait painted of Andrew Carnegie by Anders Zorn. Beatty states that his examination of the painting was ""extremely hurried"". Mr. Beatty surmises from Church's original message that Carnegie's sittings for the portrait were stopped and that the portrait was unfinished. Mr. Carnegie has stated that the portrait was finished and Zorn sailed the morning after it was completed. Beatty told Carnegie that the painting impresses him and that Zorn was a renowned painter who has painted portraits of Grover Cleveland and current President Taft. Carnegie then told Beatty to ""tell Church it is not as bad as it might have been"". Beatty writes that he may ""take some good artist friend with me"" when he goes to New York to study the portrait. He then writes that he will write Church about it. He concludes the letter by stating that he is currently visiting Ranger (presumably Henry Ward Ranger) and ""enjoying and undisturbed rest"". On H.W. Ranger, Noank, Conn. stationary.
(John W. Beatty to Samuel H. Church, Sept 8, 1911)
(John W. Beatty to Samuel H. Church, Sept 8, 1911)
Church, Samuel Harden--Correspondence, Zorn, Anders, 1860-1920--Correspondence, Bertram, James, 1872-1934, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Carnegie Institute, Board of Trustees, Shaw, George E., Pittsburgh (Pa.), Garber, J. A., Church, Samuel Harden, Church, Bertha Jean, Beatty, John W. (John Wesley), 1851-1924
A typescript letter from John W. Beatty to Samuel H. Church concerning the portrait Anders Zorn painted of Andrew Carnegie. Beatty states that his stenographer has forwarded to him a copy of Church's letter dated August 30, 1911 (i.e. August 31, 1911) minus the ""relative correspondence"". He writes that he is asking her to send him copies of Zorn's letter, presumably dated August 18, 1911 and James Bertram's letter, presumably dated June 30, 1911. He will also ask his stenographer to return the originals to Church. Beatty states that after he receives the copies he will write Church ""more fully"". He writes that he presumes Zorn will enforce payment of the portrait whether it is located in Carnegie's house or ""in our possession"". Beatty states that he doesn't believe Church or the Trustees (Carnegie Institute, Board of Trustees) ""will care to go into a legal battle"" about payment for the portrait. He continues to discuss what could be done about payment for the portrait and refers Church to Mr. Shaw (presumably George E. Shaw, Chairman, Fine Arts Committee, Carnegie Institute) for advice. Beatty states that if the portrait is to be brought here (Pittsburgh, Pa.) then he will have Garber (presumably J. A. Garber) send for it. Includes a P.S. about where Beatty is currently staying and Mr. and Mr. Samuel H. Church's possible visit there. At head of letter states Plymouth, Sept. 8, 1911.
(John W. Beatty to S.H. Church, May 19, 1911)
(John W. Beatty to S.H. Church, May 19, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Bellevue-Stratford Hotel, Hotels--Pennsylvania--Philadelphia, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Postal Telegraph Cable Company telegram from John W. Beatty to Samuel H. Church presumably in response to a note (telegram) dated May 19, 1911 from Samuel H. Church. The telegram states that Beatty will see Andrew Carnegie and will ""do best he can"", presumably in regards to judging a portrait painted by Anders Zorn of Andrew Carnegie. He suggests that Church telegraph, presumably Andrew Carnegie and ask him to let Zorn finish the portrait of him. The telegram ends by stating Zorn (presumably) is at the Bellevue-Stratford that night.
(Samuel H. Church to John W. Beatty, May 26, 1911)
(Samuel H. Church to John W. Beatty, May 26, 1911)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Garber, J. A., Pittsburgh (Pa.), Church, Samuel Harden--Correspondence
A typescript letter from Samuel H. Church to John W. Beatty in reference to a letter from Beatty written on May 22, 1911. In the letter of May 22, 1911, Beatty thinks the portrait ""is by far and away the best painting I have seen of Mr. Carnegie"". He also writes that ""there may be some shortcomings"". In the letter of May 22, 1911, Beatty writes if Church wants to make arrangements to send for the canvas he should ask ""my Mr. Garber to arrange the details. Church writes that after reading Beatty's letter of May 22, 1911, he concludes that the portrait of Carnegie is not a ""hideous caricature and total failure which Mr. Carnegie esteems it to be"". Church advises not to take ownership of the painting and is concerned about spending $7,000 for the painting if it is a ""bad portrait"". Church does not want to do anything about the painting situation at present until Church and Beatty meet on the subject or unless ""Zorn does something in the meantime"". A P.S. follows with a retyping of a letter from Anders Zorn dated May 15, 1911 in which Zorn states he has done his best with Carnegie's portrait. Church ends the P.S. with stating that it looks like they are ""stuck"" with the portrait and he will make arrangements with Mr. Garber to bring the portrait here (Pittsburgh).
(S.H. Church to Anders L. Zorn, January 9, 1912)
(S.H. Church to Anders L. Zorn, January 9, 1912)
Zorn, Anders, 1860-1920--Correspondence, Carnegie Institute--Board of Trustees, Carnegie, Andrew, 1835-1919--Portraits, Painters--Sweden, Portraits, Art commissions, Church, Samuel Harden--Correspondence
An unsigned typescript letter from Samuel Harden Church to Swedish painter Anders Zorn concerning payment for the commissioned portrait of Andrew Carnegie.
(S.H. Church to Anders L. Zorn, July 12, 1911)
(S.H. Church to Anders L. Zorn, July 12, 1911)
Zorn, Anders, 1860-1920--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Carnegie Institute. Board of Trustees, Church, Samuel Harden--Correspondence
A typescript copy of a letter from Samuel Harden Church to Anders L. Zorn, concerning a portrait of Andrew Carnegie painted by Zorn. In the letter Mr. Church expresses his disappointment in the portrait. He states that he has looked at the portrait in different light and distance and examined it carefully and he does not ""find the picture satisfactory under these tests"". Because Zorn only gave Andrew Carnegie four sittings and ""hurried away on the steamer the next morning"" Church feels the portrait was done too quickly and looks unfinished. Church goes on to write about the Trustees (Carnegie Institute, Board of Trustees) desire to have a portrait of ""this great philanthropist"" that would be handed ""down to posterity as a masterpiece"". Church does not feel the portrait meets the Trustees expectations and he doesn't feel the portrait is ""finished and complete"". He ask Zorn if he they should wait until he returns to America to ""complete the work"". Marked ""(COPY)"" at top of page one.
(Unknown to S.H. Church, April 14, 1911)
(Unknown to S.H. Church, April 14, 1911)
Zorn, Anders, 1860-1920, Painters--Sweden, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Portraits, Art commissions, Arlington Hotel (Washington, D.C.), Church, Samuel Harden--Correspondence
Western Union telegram from unknown individual to Colonel S.H. Church stating that Anders Zorn (Swedish painter who eventually paints a portrait of Andrew Carnegie) is at the Hotel Raleigh in Washington, DC . Raleigh is crossed out in pencil and replaced by Arlington.