Carnegie Mellon University - Andrew Carnegie Online Archives

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  • Subject = Church, Samuel Harden--Correspondence
  • Subject = Zorn, Anders, 1860-1920
  • Subject = Zorn, Anders, 1860-1920--Correspondence

About This Collection

This collection contains primary resources about Carnegie's bequests along with supporting explanatory text, that teachers will be able to use as part of their curriculum.
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(Anders Zorn to Samuel Church, April 25, 1911)
(Anders Zorn to Samuel Church, April 25, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Zorn, Anders, 1860-1920--Correspondence
Western Union telegram presumably from Anders Zorn to presumably Samuel Church regarding a portrait to be painted of Carnegie by Zorn. Zorn agrees to a three quarter length portrait and to expect the sitting (with Carnegie) Monday morning in New York. ""Wired A.C., 4/25"", written in ink at bottom of telegram.
(Anders Zorn to Samuel H. Church, August 18, 1911)
(Anders Zorn to Samuel H. Church, August 18, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Zorn, Anders, 1860-1920--Correspondence
A handwritten letter from Anders Zorn to Samuel H. Church explaining that Mr. Church's opinion of his portrait of Andrew Carnegie is the same opinion that he receives about all of his portraits. Church had written Zorn, presumably in a previous letter dated, July 12, 1911, that he feels the portrait appears unfinished and asks Zorn what can be done about this matter. Zorn's response is that he ""cannot see what could be done as I never touch a previously signed and dated portrait"". He writes that if a second portrait is commissioned he cannot guarantee a better result.
(Elizabeth Corbett to Col. S.H. Church, September 12, 1911)
(Elizabeth Corbett to Col. S.H. Church, September 12, 1911)
Beatty, John W. (John Wesley), 1851-1924, Church, Samuel Harden--Correspondence, Zorn, Anders, 1860-1920--Correspondence, Bertram, James, 1872-1934--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Corbett, Elizabeth--Correspondence
A typescript letter from Elizabeth Corbett to Samuel H. Church stating that she has been instructed by Mr. John W. Beatty to return the enclosed letters to him. Presumably these letters are the letters mentioned by Beatty in a letter he wrote to Church, dated Sept. 8, 1911, about a portrait that Anders Zorn painted of Andrew Carnegie. The letters were originally written to Samuel H. Church by: Anders Zorn, presumably dated August 18, 1911 and James Bertram, presumably dated June 30, 1911. On Carnegie Institute Pittsburgh, Pa., John W. Beatty, Director of Fine Arts stationary.
(John W. Beatty to Samuel H. Church, Sept 8, 1911)
(John W. Beatty to Samuel H. Church, Sept 8, 1911)
Church, Samuel Harden--Correspondence, Zorn, Anders, 1860-1920--Correspondence, Bertram, James, 1872-1934, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Carnegie Institute, Board of Trustees, Shaw, George E., Pittsburgh (Pa.), Garber, J. A., Church, Samuel Harden, Church, Bertha Jean, Beatty, John W. (John Wesley), 1851-1924
A typescript letter from John W. Beatty to Samuel H. Church concerning the portrait Anders Zorn painted of Andrew Carnegie. Beatty states that his stenographer has forwarded to him a copy of Church's letter dated August 30, 1911 (i.e. August 31, 1911) minus the ""relative correspondence"". He writes that he is asking her to send him copies of Zorn's letter, presumably dated August 18, 1911 and James Bertram's letter, presumably dated June 30, 1911. He will also ask his stenographer to return the originals to Church. Beatty states that after he receives the copies he will write Church ""more fully"". He writes that he presumes Zorn will enforce payment of the portrait whether it is located in Carnegie's house or ""in our possession"". Beatty states that he doesn't believe Church or the Trustees (Carnegie Institute, Board of Trustees) ""will care to go into a legal battle"" about payment for the portrait. He continues to discuss what could be done about payment for the portrait and refers Church to Mr. Shaw (presumably George E. Shaw, Chairman, Fine Arts Committee, Carnegie Institute) for advice. Beatty states that if the portrait is to be brought here (Pittsburgh, Pa.) then he will have Garber (presumably J. A. Garber) send for it. Includes a P.S. about where Beatty is currently staying and Mr. and Mr. Samuel H. Church's possible visit there. At head of letter states Plymouth, Sept. 8, 1911.
(Samuel H. Church to John W. Beatty, August 31, 1911)
(Samuel H. Church to John W. Beatty, August 31, 1911)
Church, Samuel Harden--Correspondence, Beatty, John W. (John Wesley), 1851-1924, Zorn, Anders, 1860-1920--Correspondence, Bertram, James, 1872-1934, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions
A typescript letter from Secretary, presumably Samuel H. Church, to John W. Beatty concerning the portrait Anders Zorn painted of Andrew Carnegie. Church states that he is enclosing correspondence from Anders Zorn, dated August 18, 1911 and James Bertram, presumably dated June 30, 1911. He asks Beatty to return the enclosed correspondence to him after he has read it. Church states that Bertram's negative opinion of the portrait is the same as Mr. and Mrs. Andrew Carnegie. He asks Beatty what they should do about the portrait. He writes that Bertram ""has enclosed an order for the portrait"" and asks Beatty if they should get the portrait from Carnegie's house before he returns from abroad or ""sit tight and do nothing more until something drops"". A P.S. is included stating that Mr. and Mrs. Church stopped at Plymouth for a couple of days and they are ""about ready to join"" Beatty and Mr. Hamerschlag ""as members of the Plymouth colony next year"".
(S.H. Church to Anders L. Zorn, July 12, 1911)
(S.H. Church to Anders L. Zorn, July 12, 1911)
Zorn, Anders, 1860-1920--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Carnegie Institute. Board of Trustees, Church, Samuel Harden--Correspondence
A typescript copy of a letter from Samuel Harden Church to Anders L. Zorn, concerning a portrait of Andrew Carnegie painted by Zorn. In the letter Mr. Church expresses his disappointment in the portrait. He states that he has looked at the portrait in different light and distance and examined it carefully and he does not ""find the picture satisfactory under these tests"". Because Zorn only gave Andrew Carnegie four sittings and ""hurried away on the steamer the next morning"" Church feels the portrait was done too quickly and looks unfinished. Church goes on to write about the Trustees (Carnegie Institute, Board of Trustees) desire to have a portrait of ""this great philanthropist"" that would be handed ""down to posterity as a masterpiece"". Church does not feel the portrait meets the Trustees expectations and he doesn't feel the portrait is ""finished and complete"". He ask Zorn if he they should wait until he returns to America to ""complete the work"". Marked ""(COPY)"" at top of page one.