Carnegie Mellon University - Andrew Carnegie Online Archives

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  • Subject = Church, Samuel Harden--Correspondence
  • Subject = Zorn, Anders, 1860-1920
  • Subject = Pittsburgh (Pa.)

About This Collection

This collection contains primary resources about Carnegie's bequests along with supporting explanatory text, that teachers will be able to use as part of their curriculum.
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(J. A. Garber to James Bertram, May 27, 1911)
(J. A. Garber to James Bertram, May 27, 1911)
Garber, J. A.--Correspondence, Bertram, James, 1872-1934--Correspondence, Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Pittsburgh (Pa.), W. S. Budworth and Son
A typescript letter from J. A. Graber (Business Manager, Dept. of Fine Arts, Carnegie Institute) to James Bertram stating that Mr. Samuel H. Church has asked Garber to make arrangements to have the Anders Zorn portrait of Andrew Carnegie shipped to Pittsburgh. Garber is writing to the Carnegie Institute's agents, W.S. Budworth and Son to contact Bertram about when they can pick up the painting. Insurance for the painting is being arranged and Garber will contact W.S. Budworth and Son by telegram when the insurance arrangements have been completed. On Carnegie Institute, Pittsburgh, Pa., John W. Beatty, M.A. , Director of Fine Arts letterhead. Signed J.A. Garber, Business Manager.
(John W. Beatty to Samuel H. Church, Sept 8, 1911)
(John W. Beatty to Samuel H. Church, Sept 8, 1911)
Church, Samuel Harden--Correspondence, Zorn, Anders, 1860-1920--Correspondence, Bertram, James, 1872-1934, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Carnegie Institute, Board of Trustees, Shaw, George E., Pittsburgh (Pa.), Garber, J. A., Church, Samuel Harden, Church, Bertha Jean, Beatty, John W. (John Wesley), 1851-1924
A typescript letter from John W. Beatty to Samuel H. Church concerning the portrait Anders Zorn painted of Andrew Carnegie. Beatty states that his stenographer has forwarded to him a copy of Church's letter dated August 30, 1911 (i.e. August 31, 1911) minus the ""relative correspondence"". He writes that he is asking her to send him copies of Zorn's letter, presumably dated August 18, 1911 and James Bertram's letter, presumably dated June 30, 1911. He will also ask his stenographer to return the originals to Church. Beatty states that after he receives the copies he will write Church ""more fully"". He writes that he presumes Zorn will enforce payment of the portrait whether it is located in Carnegie's house or ""in our possession"". Beatty states that he doesn't believe Church or the Trustees (Carnegie Institute, Board of Trustees) ""will care to go into a legal battle"" about payment for the portrait. He continues to discuss what could be done about payment for the portrait and refers Church to Mr. Shaw (presumably George E. Shaw, Chairman, Fine Arts Committee, Carnegie Institute) for advice. Beatty states that if the portrait is to be brought here (Pittsburgh, Pa.) then he will have Garber (presumably J. A. Garber) send for it. Includes a P.S. about where Beatty is currently staying and Mr. and Mr. Samuel H. Church's possible visit there. At head of letter states Plymouth, Sept. 8, 1911.
(Samuel H. Church to John W. Beatty, May 26, 1911)
(Samuel H. Church to John W. Beatty, May 26, 1911)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Garber, J. A., Pittsburgh (Pa.), Church, Samuel Harden--Correspondence
A typescript letter from Samuel H. Church to John W. Beatty in reference to a letter from Beatty written on May 22, 1911. In the letter of May 22, 1911, Beatty thinks the portrait ""is by far and away the best painting I have seen of Mr. Carnegie"". He also writes that ""there may be some shortcomings"". In the letter of May 22, 1911, Beatty writes if Church wants to make arrangements to send for the canvas he should ask ""my Mr. Garber to arrange the details. Church writes that after reading Beatty's letter of May 22, 1911, he concludes that the portrait of Carnegie is not a ""hideous caricature and total failure which Mr. Carnegie esteems it to be"". Church advises not to take ownership of the painting and is concerned about spending $7,000 for the painting if it is a ""bad portrait"". Church does not want to do anything about the painting situation at present until Church and Beatty meet on the subject or unless ""Zorn does something in the meantime"". A P.S. follows with a retyping of a letter from Anders Zorn dated May 15, 1911 in which Zorn states he has done his best with Carnegie's portrait. Church ends the P.S. with stating that it looks like they are ""stuck"" with the portrait and he will make arrangements with Mr. Garber to bring the portrait here (Pittsburgh).
(S.H. Church to Anders L. Zorn, April 15, 1911)
(S.H. Church to Anders L. Zorn, April 15, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Board of Trustees, Zorn, Anders, 1860-1920, Painters--Sweden, Art commissions, Portraits, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Taft, William H. (William Howard), 1857-1930--Portraits, Portraits, New York (N.Y.), Pittsburgh (Pa.), Founder's Day (Carnegie Institute), Carnegie Institute--Anniversaries, etc.
A typescript letter from Samuel H. Church to Anders L. Zorn stating that the Trustees of the Carnegie Institute authorize him to paint a portrait of Andrew Carnegie, ""for a price not to exceed $5,000"". Church writes that he understands that Zorn will begin painting Carnegies portrait when he is done with President Taft's portrait. He then writes that he wants Zorn to inform him when Mr. Carnegie will be expected for the first sitting. Church explains that Carnegie will leave New York City on April 26th to go to Pittsburgh, Pa. to the Founder's Day celebration and will return to New York City on April 26th. He asks Zorn if he would start the portrait before Carnegie leaves for Pittsburgh and resume when he returns to New York. Church asks Zorn to please acknowledge receipt. In a P.S. Church states that they want Zorn to paint a larger portrait of Carnegie and asks what the size would be for the $7,000 price.