Carnegie Mellon University - Andrew Carnegie Online Archives

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  • Subject = Carnegie Institute
  • Subject = Poynton, John A.--Correspondence
  • Subject = Lwoff-Parlaghy, Vilma Elisabeth, Princess, 1863-1923

About This Collection

This collection contains primary resources about Carnegie's bequests along with supporting explanatory text, that teachers will be able to use as part of their curriculum.
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(J.A. Poynton to Col. S.H. Church, May, 20, 1914)
(J.A. Poynton to Col. S.H. Church, May, 20, 1914)
Poynton, John A.--Correspondence, Church, Samuel Harden--Correspondence, Carnegie, Louise, Lwoff-Parlaghy, Vilma Elisabeth, Princess, 1863-1923, Painters--Hungary, Portraits, Art commissions, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Cunningham, Charles R., Carnegie Institute
A typescript letter from John A. Poynton, Andrew Carnegie's personal secretary, to Col. Samuel Harden Church explaining the portrait painted by Princess Lwoff-Parlaghy of Andrew Carnegie is being packed and will be shipped to the Institute (Carnegie Institute). Carnegie is sending the portrait to the Institute ""because it is the costliest picture of him, by far, ever purchased"". On Andrew Carnegie stationary, signed in ink by J.A. Poynton. Includes handwritten note at bottom of letter from Samuel H. Church to Mr. Cunningham (custodian of buildings and grounds at the Carnegie Institute), dated May 22, 1914, stating that Mr. Church is going to ""deposit"" the picture in the ""President's Room"" and asks that Cunningham notify him when it arrives.
(J.A. Poynton to Col. S.H. Church, May, 21, 1914)
(J.A. Poynton to Col. S.H. Church, May, 21, 1914)
Poynton, John A.--Correspondence, Church, Samuel Harden--Correspondence, Carnegie, Louise, Lwoff-Parlaghy, Vilma Elisabeth, Princess, 1863-1923, Painters--Hungary, Portraits, Art commissions, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Butler, Howard Russell, 1856-1934, Pittsburgh (Pa.), Cunningham, Charles R., Carnegie Institute
A typescript letter from John A. Poynton, Andrew Carnegie's personal secretary, to Col. Samuel Harden Church explaining that Mrs. Louise Carnegie thinks the portrait painted by Princess Lwoff-Parlaghy of Andrew Carnegie is not good enough to be displayed in the President's office. The portrait is the costliest portrait painted of him to date but it is not the best portrait of him. Mr. Butler's painting of Andrew Carnegie ""is considered the finest likeness"" and Mrs. Carnegie is having a replica made of this painting and will have it sent to Church's ""address at Pittsburgh"". On Andrew Carnegie stationary, signed in ink by J.A. Poynton. Includes handwritten ink notations: ""Informal"" at top of letter, correction in body of letter and a handwritten note at bottom of letter from Samuel H. Church to Mr. Cunningham (custodian of buildings and grounds at the Carnegie Institute), dated May 22, 1914, asking Cunningham to note and return this letter along with another letter sent to him ""today"" (presumably a letter dated May 20, 1914 from J.A. Poynton to Col. S.H. Church)
(Samuel Harden Church to John A. Poynton, December 21, 1916)
(Samuel Harden Church to John A. Poynton, December 21, 1916)
Church, Samuel Harden--Correspondence, Poynton, John A.--Correspondence, Carnegie, Andrew--Portraits, Carnegie, Louise, Butler, Howard Russell, 1856-1934, Lwoff-Parlaghy, Vilma Elisabeth, Princess, 1863-1923, Carnegie Institute, Painters--United States, Art
A typescript letter (unsigned) from Samuel Harden Church to John A. Poynton, clearing up the misunderstanding concerning his request for Howard Russell Butler's portrait of Andrew Carnegie that was to go in the President's Room of the Carnegie Institute. On letterhead of the Carnegie Institute.