Carnegie Mellon University - Andrew Carnegie Online Archives

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  • Subject = Carnegie Institute. Dept. of Fine Arts

About This Collection

This collection contains primary resources about Carnegie's bequests along with supporting explanatory text, that teachers will be able to use as part of their curriculum.
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(John Beatty to Rebecca S. Foster, August 9, 1904)
(John Beatty to Rebecca S. Foster, August 9, 1904)
Foster, Rebecca S.--Correspondence, Foster, Stephen Collins, 1826-1864--Portraits, Carnegie, Andrew, 1835-1919, Philanthropists--United States, Carnegie Institute. Dept. of Fine Arts, Art museums--Pennsylvania--Pittsburgh--Acquisitions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A signed typescript letter from John Beatty to Rebecca Foster acknowledging receipt of her August 4th letter and confirming that he will contact Andrew Carnegie and get back in touch with her in a few weeks after Carnegie decides whether he wants to acquire the painting of Stephen Foster that she is selling.
(John Caldwell to Andrew Carnegie, July 2, 1904)
(John Caldwell to Andrew Carnegie, July 2, 1904)
Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Founder's Day (Carnegie Institute), Painting, Modern--20th century--Exhibitions, Carnegie Institute--Anniversaries, etc.--Planning, Buildings, Temporary--Pennsylvania--Pittsburgh, Art museums--Pennsylvania--Pittsburgh, Caldwell, John--Correspondence
A signed typescript letter from John Caldwell, Chairman of the Carnegie Institute Board of Trustees Fine Arts Committee, to Andrew Carnegie requesting approval to spend Committee funds to erect a temporary structure to house the 9th annual art exhibition during the upcoming Founder's Day celebration. Caldwell explains that unless a temporary building is erected, the exhibition will have to be canceled because the permanent art gallery is being used to store books during library renovations and the Committee has been unable to locate another building suitable to house the exhibition. Caldwell requests a ""yes"" or ""no"" answer and a handwritten notation at the top of the letter says, ""Mr. Carnegie called. 'Yes.'""
(John Ross to Andrew Carnegie, March 31, 1913)
(John Ross to Andrew Carnegie, March 31, 1913)
Carnegie, Andrew, 1835-1919--Correspondence, Mackie, Charles H. (Charles Hodge), 1862-1920, Mackie, Peter, Painters--Scotland, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Art museums--Pennsylvania--Pittsburgh, Ross, John--Correspondence
A signed handwritten letter from John Ross, Chairman of the Carnegie Dunfermline Trust, to Andrew Carnegie calling his attention to two paintings by artists associated with Dunfermline, one by Peter Mackie and one by Charles H. Mackie, that are being sent to Pittsburgh for the upcoming Carnegie Institute annual international art exhibition. An initialed note in pencil at the top of the letter indicates that Carnegie forwarded the letter to John Beatty asking for his opinion of the paintings.
(John W. Beatty (?) to William McTaggart, January 5, 1909)
(John W. Beatty (?) to William McTaggart, January 5, 1909)
McTaggart, William, 1835-1910--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Art museums--Pennsylvania--Pittsburgh, Beatty, John W. (John Wesley), 1851-1924--Correspondence
An unsigned carbon copy of a typescript letter presumably from John Beatty, Carnegie Institute Director of Fine Arts, to Scottish painter William McTaggart requesting the submission of a painting for the upcoming annual Carnegie Institute international art exhibition.
(John W. Beatty to Andrew Carnegie, April 1, 1902)
(John W. Beatty to Andrew Carnegie, April 1, 1902)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Art--Private collections--Que?bec--Montre?al, Art--Exhibitions.
Typescript/handwritten letter from Director of Fine Arts John W. Beatty to Andrew Carnegie telling of Beatty's upcoming trip to Montreal to secure art works from private collections for the Institute's loan exhibition in Fall 1902. He asks for notes of introduction if any of the owners are known to Carnegie.
(John W. Beatty to Andrew Carnegie, April 11, 1910)
(John W. Beatty to Andrew Carnegie, April 11, 1910)
John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Art--Exhibitions
Typescript letter. Beatty tells Carnegie that the standard of the coming annual exhibition at Carnegie Institute will be very high, and all of the jury members agree with that assessment.
(John W. Beatty to Andrew Carnegie, April 21, 1908)
(John W. Beatty to Andrew Carnegie, April 21, 1908)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Millet, Frank D., Carnegie Institute. Dept. of Fine Arts, Jones, John Paul, 1747-1792, Busts, United States. Dept. of the Navy, American Academy in Rome, Homer, Winslow, 1836-1910, Painters--United States, Art, Modern--Exhibitions, Art
A typescript letter (signed) from John W. Beatty to Andrew Carnegie. Beatty places the blame for the controversy over the bust of John Paul Jones on Frank D. Millet. In a handwritten postscript, Beatty mentions that the annual exhibition will include twenty-one works by Winslow Homer.
(John W. Beatty to Andrew Carnegie, April 25, 1908)
(John W. Beatty to Andrew Carnegie, April 25, 1908)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Millet, Frank D., Carnegie Institute. Dept. of Fine Arts, Jones, John Paul, 1747-1792, Busts, American Academy in Rome, Art
A brief letter from John W. Beatty to Andrew Carnegie written to accompany a copy of his (Beatty's) letter of the 21st, with which he intended to clarify the misunderstanding surrounding the John Paul Jones bust.
(John W. Beatty to Andrew Carnegie, April 29, 1913)
(John W. Beatty to Andrew Carnegie, April 29, 1913)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Ross, John--Correspondence, Mackie, Charles H. (Charles Hodge), 1862-1920, Mackie, Peter, Painters--Scotland, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Art museums--Pennsylvania--Pittsburgh
A signed typescript letter from John Beatty to Andrew Carnegie informing him that the paintings by Scottish artists C.H. Mackie and Peter Mackie that John Ross brought to Carnegie's attention in a March 31st letter were not accepted by the jury of award for the Carnegie Institute's annual international art exhibition and that they will eventually be returned to the painters. An initialed handwritten postscript in ink notes that Beatty is planning to sail to Europe at the end of May and he hopes to get together with Carnegie for a visit to the Royal Academy.
(John W. Beatty to Andrew Carnegie, April 3, 1913)
(John W. Beatty to Andrew Carnegie, April 3, 1913)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Prinet, Ren-Franois-Xavier, 1861-1946, Caro-Delvaille, Henry, 1876-1928, Painters--France, Painters--United States, Art museums--Pennsylvania--Pittsburgh
A signed typescript letter from John Beatty to Andrew Carnegie informing him that members of the jury of award, including French painters Ren Prinet and Henry Caro-Devaille, have arrived in Pittsburgh for the upcoming Carnegie Institute annual international art exhibition and requesting that Carnegie send a telegram for Beatty to read to the jury thanking them for their service at a banquet to be held in their honor on April 4th.
(John W. Beatty to Andrew Carnegie, April 7, 1913)
(John W. Beatty to Andrew Carnegie, April 7, 1913)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Prinet, Ren-Franois-Xavier, 1861-1946, Caro-Delvaille, Henry, 1876-1928, Painters--France, Painters--United States, Art museums--Pennsylvania--Pittsburgh
A signed typescript letter from John Beatty to Andrew Carnegie thanking him for the April 4th telegram he sent to be read to the members of the jury of award for the Carnegie Institute's annual international art exhibition and informing him how impressed the foreign members of the jury, Ren Prinet and Henry Caro-Devaille, were with the manner in which the exhibition was conducted.
(John W. Beatty to Andrew Carnegie, December 13, 1902)
(John W. Beatty to Andrew Carnegie, December 13, 1902)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Art--Exhibitions
Handwritten letter from Director of Fine Arts John W. Beatty to Andrew Carnegie noting attendance of 100,180 at the Carnegie Institute's art exhibition from Nov. 7 to Dec. 7, and expresses hope that Carnegie and his wife will be able to see it.
(John W. Beatty to Andrew Carnegie, December 20, 1910)
(John W. Beatty to Andrew Carnegie, December 20, 1910)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Schenley, Mary Croghan--Portraits, Lauder, George, Lauder, Maggie, Phipps, Lawrence Cowle, 1862-1958, Thomas, Grosvenor, 1856-1923, Bezzi, Bartolomeo, 1851-1923, Art
A typescript letter from John W. Beatty to Andrew Carnegie, on Carnegie Institute letterhead. Beatty reports having seen the Lauders' portrait of Mary Schenley for the first time and offers his impressions, then goes on to mention other pieces of art recently donated to the Carnegie Institute: Lawrence Grovenor's The mill and Bartolomeo Bezzi's Venetian Canal (both presented by Pittsburgh native Lawrence C. Phipps).
(John W. Beatty to Andrew Carnegie, December 6, 1910)
(John W. Beatty to Andrew Carnegie, December 6, 1910)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Lauder, George, Lauder, Maggie, Schenley, Mary Croghan--Portraits, Art
A letter from John W. Beatty to Andrew Carnegie concerning the Carnegie Institute's acceptance of a portrait of Mary Schenley donated by George and Maggie Lauder. On Carnegie Institute letterhead.
(John W. Beatty to Andrew Carnegie, February 24, 1909)
(John W. Beatty to Andrew Carnegie, February 24, 1909)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Pitt, William, Earl of Chatham, 1708-1778--Portraits, Statesmen-- Great Britain--Portraits, Hoare, William, 1707-1792, Painters--England, Lauder, George, Jr., Art donors--United States, Museums--Acquisitions--Pennsylvania--Pittsburgh, Art museums--Pennsylvania--Pittsburgh
A signed typescript letter from John Beatty to Andrew Carnegie notifying him that Beatty is sending him a photograph of a William Pitt portrait that was painted by William Hoare. The painting, originally part of the Peel collection, was recently donated to the Carnegie Institute by George Lauder.
(John W. Beatty to Andrew Carnegie, Jan. 2, 1902)
(John W. Beatty to Andrew Carnegie, Jan. 2, 1902)
Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Typescript letter from Director of Fine Arts John W. Beatty to Carnegie discussing various art purchases.
(John W. Beatty to Andrew Carnegie, January 2, 1901)
(John W. Beatty to Andrew Carnegie, January 2, 1901)
Carnegie, Andrew, 1835-1919--Correspondence, Painting--Collectors and collecting, Carnegie Institute. Dept. of Fine Arts, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A typescript letter from John W. Beatty, Director of Fine Arts at the Carnegie Institute to Andrew Carnegie concerning the acquisition of paintings for Andrew Carnegie's home. Paintings mentioned in the letter include the following: ""Harvest Field"", ""All Hands on Deck"", ""Midsummer Evening"" and ""Dusk"". On Carnegie Institute, Pittsburgh, Pa., Office of the Director of Fine Arts letterhead. Signed John W. Beatty.
(John W. Beatty to Andrew Carnegie, January 2, 1902)
(John W. Beatty to Andrew Carnegie, January 2, 1902)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Art--Exhibitions.
Handwritten letter from Director of Fine Arts John W. Beatty to Carnegie noting the success of a recent exhibition.
(John W. Beatty to Andrew Carnegie, January 21, 1910)
(John W. Beatty to Andrew Carnegie, January 21, 1910)
Carnegie, Andrew, 1835-1919--Correspondence, Barye, Antoine-Louis, 1796-1875, Bronze sculpture, French, Animals in art, Carnegie Institute. Dept. of Fine Arts, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Telegram following up on letter of Jan. 20, discussing the Barye sale.
(John W. Beatty to Andrew Carnegie, January 8, 1909)
(John W. Beatty to Andrew Carnegie, January 8, 1909)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, McTaggart, William, 1835-1910-, Painting, Modern--20th century--Exhibitions, Art museums--Pennsylvania--Pittsburgh, Painters--Scotland
A signed typescript letter from John Beatty to Andrew Carnegie acknowledging the receipt of a catalogue and some clippings that contain high praise for a William McTaggart painting that is currently on display at the Carnegie Institute. The letter is accompanied by a carbon copy of a letter that Beatty recently sent to McTaggart requesting the submission of a painting for the upcoming annual Carnegie Institute international art exhibition.