Carnegie Mellon University - Andrew Carnegie Online Archives

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  • Subject = Beatty, John W. (John Wesley), 1851-1924--Correspondence
  • Subject = Carnegie Institute. Dept. of Fine Arts

About This Collection

This collection contains primary resources about Carnegie's bequests along with supporting explanatory text, that teachers will be able to use as part of their curriculum.

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Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts
Typescript letter (carbon copy). Carnegie acknowledges Beatty's letter of Apr. 18, commenting on the Carnegie Institute's, Dept. of Fine Arts matters.
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Carnegie, Andrew, 1835-1919--Art collections, Carnegie Institute. Dept. of Fine Arts
Carbon copy of typescript letter to art museum director Beatty. Carnegie writes that a Mr. Butler is going to hand ""our pictures"" (i.e. art works owned by the Carnegies) so that (Mrs. Carnegie?) will be surprised when the Carnegies return in November.
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Painters--France, Art museums--Pennsylvania--Pittsburgh, Carnegie, Andrew, 1835-1919--Correspondence
A telegram from Andrew Carnegie to John Beatty written in response to Beatty's April 3rd letter requesting a message of thanks to be read at a banquet held in honor of the members of the jury of award for the upcoming Carnegie Institute annual international art exhibition. The telegram specifically addresses and thanks the two judges from France.
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Art--Exhibitions, Carnegie, Andrew, 1835-1919--Art collections., Carnegie, Andrew, 1835-1919--Correspondence
Typescript letter (carbon copy) acknowledging Beatty's letter of Dec. 13 and expressing delight with the success of the art exhibition, and also mentioning Carnegie's picture gallery in New York.
Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Lauder, George, Lauder, Maggie, Schenley, Mary Croghan--Portraits, Phipps, Lawrence Cowle, 1862-1958, Thomas, Grosvenor, 1856-1923, Bezzi, Bartolomeo, 1851-1923, Art
An unsigned typescript letter from Andrew Carnegie to John W. Beatty. Carnegie makes reference to Beatty's gifts as a painter and mentions the recently donated paintings by Lawrence C. Phipps and the portrait of Mary Schenley donated by George and Maggie Lauder.
Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Walls, William, 1860-1942, Animals in art, Carnegie Institute. Dept. of Fine Arts
Typescript letter (unsigned copy). Andrew Carnegie, apparently commenting on the pending sale of animal bronzes in New York, discusses a painting by William Walls, titled Twa dogs, that he displays in his private New York gallery. He thinks that it ought to have been exhibited in Pittsburgh, but the museum seems to have a prejudice against animal paintings, demonstrated by the inconspicuous placement there of a Scottish picture that had caused a sensation at the Franco-British Exposition in London.
Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions
Carbon copy of typescript letter (unsigned). Carnegie congratulates Beatty, apparently on the success of the annual exhibition.
Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions
Typescript letter (unsigned). Carnegie congratulates Beatty, apparently on the success of the annual exhibition.
Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Art--Exhibitions
Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Art--Exhibitions
Typescript letter (carbon copy). Carnegie acknowledges Beatty's letter of Nov. 11, expressing satisfaction with the record exhibition attendance.
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Millet, Frank D.--Correspondence, Carnegie, Andrew, 1835-1919, Beatty, John W. (John Wesley), 1851-1924, Carnegie Institute. Dept. of Fine Arts, Jones, John Paul, 1747-1792, Busts, American Academy in Rome, Art, Modern--Exhibitions, Art
A typescript letter from John W. Beatty to Frank D. Millet, marked ""copy."" Beatty accepts the replica of the bust of John Paul Jones offered by Millet, states that activities surrounding the annual exhibition have delayed his response in responding to a recent letter concerning the matter, and reminds Millet that he had already accepted the gift of the bust two years prior when the two had met in New York.
Bertram, James, 1872-1934--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Jones, John Paul, 1747-1792, Busts, United States. Dept. of the Navy, American Academy in Rome, Millet, Frank D.--Correspondence
A typescript letter (signed) from Frank D. Millet to James Bertram concerning a bust of John Paul Jones. Millet explains that although Andrew Carnegie has expressed interest in having a copy of the bust for the Carnegie Institute, John W. Beatty has ignored his (Millet's) correspondence on the matter. Includes handwritten note from Andrew Carnegie to John Beatty. On letterhead of the American Academy in Rome.
Bertram, James, 1872-1934--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts
Typescript letter (carbon copy). Bertram acknowledges a note from Beatty (not included) and passes along Andrew Carnegie's desire to hear about any art work that Beatty would like to buy for the upcoming exhibition.
Bertram, James, 1872-1934--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Art museums--Pennsylvania--Pittsburgh, La Thangue, Henry Herbert, 1859-1929, Painters--United States
An unsigned typescript letter presumably from James Bertram, Andrew Carnegie's personal secretary, to John Beatty written in response to Beatty's March 20th letter concerning the selection of the jury of award for the upcoming Carnegie Institute international art exhibition. Carnegie congratulates Beatty on the work he is doing and reminds him that he values his opinion with regards to fine art, especially his recent selection of a La Thangue work.
Bertram, James, 1872-1934--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions
An unsigned, typescript letter presumably from James Bertram to John Beatty , Carnegie Institute Fine Arts Director, conveying Andrew Carnegie's congratulations on the continued success of the annual Carnegie International art exhibition.
Bertram, James, 1872-1934--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Barye, Antoine-Louis, 1796-1875, Bronze sculpture, French, Animals in art, Carnegie Institute. Dept. of Fine Arts
Typescript letter (unsigned carbon copy). Andrew Carnegie's personal secretary James Bertram tells Beatty that Carnegie has received his letter and telegram but is not interested in the Barye bronzes.
Bertram, James, 1872-1934--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919, Carnegie Museum, Downes, William Howe, 1854-1941, Art, Modern--Exhibitions, Boston evening transcript (Boston, Mass. : 1872), Art critics, Millet, Frank D., Carnegie Institute. Dept. of Fine Arts, Art
A typescript letter (unsigned) from James Bertram to John W. Beatty, in response to Beatty's letter of May 11 to Andrew Carnegie. Bertram relates Carnegie's pleasure in the articles written by William Howe Downes, art critic for the Boston evening transcript, which presumably praised the Carnegie Institute's art galleries.
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Stephen Collins, 1826-1864--Portraits, Foster, Rebecca S., Stephen Collins, 1826-1864--Family, Carnegie Institute. Dept. of Fine Arts, Art museums--Pennsylvania--Pittsburgh--Acquisitions
A signed typescript letter from John Beatty to Andrew Carnegie recommending that he purchase for the Carnegie Institute a portrait of Stephen Foster that is being offered for sale by Mrs. Morrison Foster. A handwritten notation from Andrew Carnegie at the top of the letter indicates that he wants to acquire the painting for $1,000.
Foster, Rebecca S.--Correspondence, Foster, Stephen Collins, 1826-1864--Portraits, Carnegie, Andrew, 1835-1919, Philanthropists--United States, Carnegie Institute. Dept. of Fine Arts, Art museums--Pennsylvania--Pittsburgh--Acquisitions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A signed typescript letter from John Beatty to Mrs. Morrison Foster confirming that her July 26th letter and a portrait of Stephen Foster that she wants to sell to Andrew Carnegie for the Carnegie Institute have both been received. Beatty notes that he will wait for Foster to confirm her asking price before he contacts Carnegie.
Foster, Rebecca S.--Correspondence, Foster, Stephen Collins, 1826-1864--Portraits, Carnegie, Andrew, 1835-1919, Philanthropists--United States, Carnegie Institute. Dept. of Fine Arts, Art museums--Pennsylvania--Pittsburgh--Acquisitions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A signed typescript letter from John Beatty to Rebecca Foster acknowledging receipt of her August 4th letter and confirming that he will contact Andrew Carnegie and get back in touch with her in a few weeks after Carnegie decides whether he wants to acquire the painting of Stephen Foster that she is selling.