Carnegie Mellon University - Andrew Carnegie Online Archives

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  • Original Format = Correspondence
  • Subject = Beatty, John W. (John Wesley), 1851-1924--Correspondence

About This Collection

This collection contains primary resources about Carnegie's bequests along with supporting explanatory text, that teachers will be able to use as part of their curriculum.
Displaying 21 items
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(Andrew Carnegie to John W. Beatty, April 4, 1913)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Painters--France, Art museums--Pennsylvania--Pittsburgh, Carnegie, Andrew, 1835-1919--Correspondence
A telegram from Andrew Carnegie to John Beatty written in response to Beatty's April 3rd letter requesting a message of thanks to be read at a banquet held in honor of the members of the jury of award for the upcoming Carnegie Institute annual international art exhibition. The telegram specifically addresses and thanks the two judges from France.
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(Andrew Carnegie to John W. Beatty, December 17, 1902)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Art--Exhibitions, Carnegie, Andrew, 1835-1919--Art collections., Carnegie, Andrew, 1835-1919--Correspondence
Typescript letter (carbon copy) acknowledging Beatty's letter of Dec. 13 and expressing delight with the success of the art exhibition, and also mentioning Carnegie's picture gallery in New York.
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(F.D. Millet to James Bertram, April 14, 1908; Andrew Carnegie to John Beatty, April 1908)
Bertram, James, 1872-1934--Correspondence, Carnegie, Andrew, 1835-1919--Correspondence, Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie Institute. Dept. of Fine Arts, Jones, John Paul, 1747-1792, Busts, United States. Dept. of the Navy, American Academy in Rome, Millet, Frank D.--Correspondence
A typescript letter (signed) from Frank D. Millet to James Bertram concerning a bust of John Paul Jones. Millet explains that although Andrew Carnegie has expressed interest in having a copy of the bust for the Carnegie Institute, John W. Beatty has ignored his (Millet's) correspondence on the matter. Includes handwritten note from Andrew Carnegie to John Beatty. On letterhead of the American Academy in Rome.
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(John Beatty to Mrs. Morrison Foster, August 3, 1904)
Foster, Rebecca S.--Correspondence, Foster, Stephen Collins, 1826-1864--Portraits, Carnegie, Andrew, 1835-1919, Philanthropists--United States, Carnegie Institute. Dept. of Fine Arts, Art museums--Pennsylvania--Pittsburgh--Acquisitions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A signed typescript letter from John Beatty to Mrs. Morrison Foster confirming that her July 26th letter and a portrait of Stephen Foster that she wants to sell to Andrew Carnegie for the Carnegie Institute have both been received. Beatty notes that he will wait for Foster to confirm her asking price before he contacts Carnegie.
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(John Beatty to Rebecca S. Foster, August 9, 1904)
Foster, Rebecca S.--Correspondence, Foster, Stephen Collins, 1826-1864--Portraits, Carnegie, Andrew, 1835-1919, Philanthropists--United States, Carnegie Institute. Dept. of Fine Arts, Art museums--Pennsylvania--Pittsburgh--Acquisitions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A signed typescript letter from John Beatty to Rebecca Foster acknowledging receipt of her August 4th letter and confirming that he will contact Andrew Carnegie and get back in touch with her in a few weeks after Carnegie decides whether he wants to acquire the painting of Stephen Foster that she is selling.
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(John W. Beatty (?) to William McTaggart, January 5, 1909)
McTaggart, William, 1835-1910--Correspondence, Carnegie Institute. Dept. of Fine Arts, Painting, Modern--20th century--Exhibitions, Art museums--Pennsylvania--Pittsburgh, Beatty, John W. (John Wesley), 1851-1924--Correspondence
An unsigned carbon copy of a typescript letter presumably from John Beatty, Carnegie Institute Director of Fine Arts, to Scottish painter William McTaggart requesting the submission of a painting for the upcoming annual Carnegie Institute international art exhibition.
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(John W. Beatty to Andrew Carnegie, Jan. 2, 1902)
Carnegie, Andrew, 1835-1919--Correspondence, Carnegie Institute. Dept. of Fine Arts, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Typescript letter from Director of Fine Arts John W. Beatty to Carnegie discussing various art purchases.
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(John W. Beatty to Andrew Carnegie, January 18, 1910)
Carnegie, Andrew, 1835-1919--Correspondence, Barye, Antoine-Louis, 1796-1875, Bronze sculpture, French, Animals in art, Lawrence, Cyrus J.--Art collections, Carnegie Museum. Dept. of Fine Arts, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Typescript letter. John Beatty tells Andrew Carnegie that he is investigating a group of bronze animal sculptures by Antoine-Louis Barye collected by the late Cyrus J. Lawrence, to be sold in New York on January 22, for possible purchase by Carnegie Museum.
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(John W. Beatty to Andrew Carnegie, January 2, 1901)
Carnegie, Andrew, 1835-1919--Correspondence, Painting--Collectors and collecting, Carnegie Institute. Dept. of Fine Arts, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A typescript letter from John W. Beatty, Director of Fine Arts at the Carnegie Institute to Andrew Carnegie concerning the acquisition of paintings for Andrew Carnegie's home. Paintings mentioned in the letter include the following: ""Harvest Field"", ""All Hands on Deck"", ""Midsummer Evening"" and ""Dusk"". On Carnegie Institute, Pittsburgh, Pa., Office of the Director of Fine Arts letterhead. Signed John W. Beatty.
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(John W. Beatty to Andrew Carnegie, January 21, 1910)
Carnegie, Andrew, 1835-1919--Correspondence, Barye, Antoine-Louis, 1796-1875, Bronze sculpture, French, Animals in art, Carnegie Institute. Dept. of Fine Arts, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Telegram following up on letter of Jan. 20, discussing the Barye sale.
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(John W. Beatty to Andrew Carnegie, March 27, 1913)
Carnegie, Andrew, 1835-1919--Correspondence, Evans, William Thomas, 1843-1917--Art collections, Carnegie Institute. Dept. of Fine Arts, Art museums--Pennsylvania--Pittsburgh, Carnegie Institute, Church, Samuel Harden, Museum trustees--Pennsylvania--Pittsburgh, Museums--Employees--Pensions--Pennsylvania--Pittsburgh, Pension trusts--Pennsylvania--Pittsburgh, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A handwritten typescript letter from John Beatty, Carnegie Institute Director of Fine Arts, to Andrew Carnegie informing him that Beatty is in New York to study the W.T. Evans art collection with a view towards acquiring one or two paintings for the Carnegie Institute. Beatty notes that he will be happy to call for Carnegie if he would like to come along and see the Evans collection as well as other artworks currently on exhibit. The letter also contains a brief mention of Beatty's distress over Samuel Church's attitude toward the Carnegie Institute pension plan.
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(John W. Beatty to Andrew Carnegie, March 30, 1913)
Carnegie, Andrew, 1835-1919--Correspondence, Church, Samuel Harden, Carnegie Institute. Board of Trustees, Museum trustees--Pennsylvania--Pittsburgh, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A signed handwritten letter from John Beatty, Carnegie Institute Director of Fine Arts, to Andrew Carnegie assuring him that Beatty has confidence in Samuel Church's sincerity and honesty of purpose.
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(John W. Beatty to Andrew Carnegie, May 19, 1900)
Carnegie, Andrew, 1835-1900--Correspondence, Carnegie Institute, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A typescript letter on Carnegie Institute letterhead from John W. Beatty to Andrew Carnegie. The letter was to accompany a copy of the Institute's ""invitation for 1900.""
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(John W. Beatty to Col. S.H. Church, May 22, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Western Union telegram from John W. Beatty to Samuel H. Church presumably concerning an interview with Mr. Andrew Carnegie about a portrait Anders Zorn painted of Carnegie. In the telegram Beatty informs Church that the interview was ""satisfactory"" and he is writing to Beatty with more details.
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(John W. Beatty to Samuel H. Church, June 2, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A handwritten letter from John W. Beatty to Samuel Harden Church concerning Beatty's visit to New York to examine a portrait of Andrew Carnegie painted by Anders Zorn. Mr. Beatty still considers the portrait ""a broadly painted and forceful picture, manifestly done in haste but lacking in the completeness of detail"". Mr. Carnegie told Beatty he had done four sitting for Zorn and that the portrait was finished. He also said that Zorn sailed the morning after the last sitting. Beatty believes that the portrait is better than the portrait they now have of Carnegie. The letter ends with Beatty stating the difficulty in ""securing a painting of him"" if he has to give long sittings. On Richard Lane stationary.
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(John W. Beatty to Samuel H. Church, May 22, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Garber, J. A., Ranger, Henry Ward, 1858-1916, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A handwritten letter from John W. Beatty to Col. Samuel H. Church concerning a portrait Anders Zorn painted of Andrew Carnegie. Beatty thinks the portrait ""is by far and away the best painting I have seen of Mr. Carnegie"". He does write that ""there may be some shortcomings"". Beatty writes if Church wants to make arrangements to send for the canvas he should ask ""my Mr. Garber to arrange the details. Beatty states that the picture should be insured and Beatty should ask Mr. Garber to take care of this. Beatty states that he is staying with H.W. Ranger (presumably Henry Ward Ranger) in Noauk, Connecticut. He asks Church to not let anyone photograph or publish the picture. Beatty asks Church to keep the painting boxed for now to ""protect for Copyright"". On Parker House, Boston stationary.
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(John W. Beatty to Samuel H. Church, May 29, 1911)
Church, Samuel Harden--Correspondence, W. S. Budworth and Son, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Cleveland, Grover, 1837-1908, Taft, William H. (William Howard), 1857-1930, Ranger, Henry Ward, 1858-1916, Beatty, John W. (John Wesley), 1851-1924--Correspondence
A handwritten letter from John W. Beatty to Samuel Harden Church in reference to a letter from Church that he received the day before. In the letter Beatty writes that he has contacted their New York agents, Budworth and Son, to wait until Beatty arrives before sending for and shipping a portrait painted of Andrew Carnegie by Anders Zorn. Beatty states that his examination of the painting was ""extremely hurried"". Mr. Beatty surmises from Church's original message that Carnegie's sittings for the portrait were stopped and that the portrait was unfinished. Mr. Carnegie has stated that the portrait was finished and Zorn sailed the morning after it was completed. Beatty told Carnegie that the painting impresses him and that Zorn was a renowned painter who has painted portraits of Grover Cleveland and current President Taft. Carnegie then told Beatty to ""tell Church it is not as bad as it might have been"". Beatty writes that he may ""take some good artist friend with me"" when he goes to New York to study the portrait. He then writes that he will write Church about it. He concludes the letter by stating that he is currently visiting Ranger (presumably Henry Ward Ranger) and ""enjoying and undisturbed rest"". On H.W. Ranger, Noank, Conn. stationary.
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(John W. Beatty to S.H. Church, May 19, 1911)
Church, Samuel Harden--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Bellevue-Stratford Hotel, Hotels--Pennsylvania--Philadelphia, Beatty, John W. (John Wesley), 1851-1924--Correspondence
Postal Telegraph Cable Company telegram from John W. Beatty to Samuel H. Church presumably in response to a note (telegram) dated May 19, 1911 from Samuel H. Church. The telegram states that Beatty will see Andrew Carnegie and will ""do best he can"", presumably in regards to judging a portrait painted by Anders Zorn of Andrew Carnegie. He suggests that Church telegraph, presumably Andrew Carnegie and ask him to let Zorn finish the portrait of him. The telegram ends by stating Zorn (presumably) is at the Bellevue-Stratford that night.
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(Robert Vonnoh to John W. Beatty, November 20, 1914)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Art--Exhibitions, Carnegie Institute. Dept. of Fine Arts--Exhibitions, Art, Modern--20th century--Exhibitions, Art--Pennsylvania--Pittsburgh--Exhibitions, Carnegie Institute, Pittsburgh (Pa.), Hyett, William J., 1876-1952, Hamerschlag, Arthur Arton, Zeller, August, Vonnoh, Robert William, 1858-1933--Correspondence
A typescript copy of a letter from Robert Vonnoh to John W. Beatty concerning Vonnoh's paintings that were installed at the ""International exhibit"" held at the Carnegie Institute. Vonnoh's writes that his wife regrets not being able to be with him while he was in Pittsburgh. He states that the ""Exhibition"" of work was ""well arranged"" and Mr. Ramsey and Mr. Hyatt had everything ready for the installation of his art. Vonnoh liked the way the exhibition was set up and he ""regrets"" that Beatty wasn't there to ""give judgment on our show"" (Beatty was not well). He remarks on the ""remarkable collection"" that was brought together for the ""International exhibition"" in Pittsburgh. Vonnoh writes that he now has a ""very fine idea of what the Carnegie Institute"" is doing thanks to the information he received from Dr Hamerschlag, Mr. Zeller and Mr. Ramsey. He concludes by writing that the exhibition has developed since he was a member of one jury ten years ago.
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(Samuel H. Church to John W. Beatty, May 26, 1911)
Beatty, John W. (John Wesley), 1851-1924--Correspondence, Carnegie, Andrew, 1835-1919--Portraits, Philanthropists--United States--Portraits, Zorn, Anders, 1860-1920, Painters--Sweden, Portraits, Art commissions, Garber, J. A., Pittsburgh (Pa.), Church, Samuel Harden--Correspondence
A typescript letter from Samuel H. Church to John W. Beatty in reference to a letter from Beatty written on May 22, 1911. In the letter of May 22, 1911, Beatty thinks the portrait ""is by far and away the best painting I have seen of Mr. Carnegie"". He also writes that ""there may be some shortcomings"". In the letter of May 22, 1911, Beatty writes if Church wants to make arrangements to send for the canvas he should ask ""my Mr. Garber to arrange the details. Church writes that after reading Beatty's letter of May 22, 1911, he concludes that the portrait of Carnegie is not a ""hideous caricature and total failure which Mr. Carnegie esteems it to be"". Church advises not to take ownership of the painting and is concerned about spending $7,000 for the painting if it is a ""bad portrait"". Church does not want to do anything about the painting situation at present until Church and Beatty meet on the subject or unless ""Zorn does something in the meantime"". A P.S. follows with a retyping of a letter from Anders Zorn dated May 15, 1911 in which Zorn states he has done his best with Carnegie's portrait. Church ends the P.S. with stating that it looks like they are ""stuck"" with the portrait and he will make arrangements with Mr. Garber to bring the portrait here (Pittsburgh).
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